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MUSIC FOR THE GOOD  PEOPLE  
THE GREAT  AMERICAN SONG TRADITION  

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SELECTED DISCOGRAPHY

PATSY CLINE

PATSY CLINE

Pae, Peter. "CRAZY OVER CLINE"Washington Post. 15 August 2019.

Hofstra, Warren E. "Sweet Dreams: The World of Patsy Cline" PopMatters.  July 8, 2017.

 Sawyer, Bobbie Jean. "10 Things You Didn't Know About Patsy Cline".  Wide Open Country. 16 September2019.

Hofstra, Warren R. (2013). Sweet Dreams: The World of Patsy Cline. University of Illinois Press. ISBN 1-85828-534-8.

Nassour, Ellis (1993). Honky Tonk Angel: The Intimate Story of Patsy Cline. New York: St. Martin's Press. ISBN 0-312-08870-1.

Unterberger, Richie. "Patsy Cline: Biography & History"Allmusic. 18 August 2019.

"Patsy Cline's aching voice blazed country music trail". Green Bay Press Gazette. 19 August 2019.

 Wertheimer, Linda. "Patsy Cline's 'Crazy' Changed The Sound Of Country Music"NPR. 23 August2019.

Patsy Cline 
(born Virginia Patterson Hensley; September 8, 1932 – March 5, 1963)
was an American singer. She is considered one of the most influential vocalists
of he 20th century and was one of the first country music artists to uccessfully 

crossover  into pop music.

Cline had several major hits during her eight-year recording career, including

two number-one hits on the Billboard Hot Country and Western Sides chart.
Cline's first professional performances began at the local WINC radio station

when she was fifteen.
In the early 1950s, Cline began appearing in a local band led by performer

Bill Peer.
Various local appearances led to featured performances on Connie B. Gay's 

Town and Country television broadcasts. It also led to the signing of her first

recording contract with the Four Star label in 1954. She had minor success

with her earliest Four Star singles including "A Church, A Courtroom and

Goodbye" (1955) and "I've Loved and Lost Again" (1956). In 1957 however,

Cline made her first national
television appearance on Arthur Godfrey's Talent Scouts. After performing
"Walkin' After Midnight", the single would become her first major hit on

both the country and pop charts. Cline's further singles with Four Star

Records were unsuccessful, although she continued performing and

recording.

After marrying in 1957 and giving birth in 1958, she moved to Nashville,
Tennessee
 to further her career. Working with new manager Randy Hughes,
Cline would become a member of the Grand Ole Opry and then move to 
Decca Records in 1960. Under the direction of producer Owen Bradley, her

musical sound shifted and she achieved consistent success. The 1961 single
"I Fall to Pieces" would become her first to top the Billboard country chart.

As the song became a hit, Cline was severely injured in an automobile

accident, which caused her to spend a month in the hospital. After recovering,

her next single release "Crazy" would also become a major hit.

Between 1962 and 1963, Cline had hits with "She's Got You",
"When I Get Through with You", "So Wrong" and "Leavin' on Your Mind".
She also toured and headlined shows with more frequency. In March 1963,
Cline appeared at a benefit show in Kansas City, Missouri. To return home,

she boarded a plane along with country performers Cowboy CopasHawkshaw

Hawkins  and manager Randy Hughes. Upon hitting rough weather, the plane

crashed outside of Camden, Tennessee, killing all those on board.
 

Since her death, Cline has been cited as one of the most celebrated, respected

and influential performers of the 20th century. Her music has influenced

performers of various styles and genres. She has also been seen as a forerunner

for women in country
music, being among the first to sell records and headline concerts. In 1973,
she became the first female performer to be inducted into the Country Music

Hall of Fame.

In the 1980s, Cline's posthumous successes continued in the mass media. She

was portrayed twice in major motion pictures, including the 1985 biopic 

Sweet Dreams starring Jessica Lange. Several documentaries and stage shows

were released during this time, including the 1988 musical Always...

Patsy Cline.
A 1991 box set of her recordings was issued that received critical acclaim.
Her greatest hits album sold over 10 million copies in 2005.
In 2011, Cline's childhood home was restored as a museum for visitors and

fans to tour.

I fall to pieces (Hank Cochran & Harlan Howard)

I fall to pieces
Each time I see you again
I fall to pieces
How can I be just your friend?

 

You want me to act like we've never kissed
You want me to forget (to forget)
Pretend we've never met (never met)

 

And I've tried and I've tried
But I haven't yet
You walk by and I fall to pieces

 

I fall to pieces
Each time someone speaks your name (speaks your name)
I fall to pieces
Time only adds to the flame

 

You tell me to find someone else to love
Someone who love me too (love me too)
The way you used to do (used to do)
But each time I go out with someone new
You walk by and I fall to pieces
You walk by and I fall to pieces

Crazy  (Brian Joseph Burton / Gian Pero Reverberi / Gianfranco Reverberi /
              Thomas Decarlo Callaway)

I'm crazy Crazy for feeling so lonely
I am crazy Crazy for feeling so blue

I knew you'd love me as long as you wanted
And then someday you'd leave me for somebody new

Worry Why do I let myself worry
(I wonder) Wondering What in the world did I do

I'm crazy for thinking that my love could hold you
And I'm crazy for trying Crazy for crying
And I'm crazy for loving you

Crazy for thinking that my love could hold you
And I'm crazy for trying Crazy for crying
And I'm crazy for loving you

She's got you  (Hank Cochran)

I've got your picture That you gave to me
And it's signed with love Just like it used to be
The only thing different The only thing new
I've got your picture She's got you

I've got the records That we used to share
And they still sound the same As when you were here
The only thing different The only thing new
I've got the records She's got you

I've got your memory Or, has it got me
I really don't know But I know, it won't let me be

I've got your class ring That proved you cared
And it still looks the same As when you gave it, dear
The only thing different The only thing new
I've got these little things She's got you

I've got your memory Or, has it got me
I really don't know But I know, it won't let me be

I've got your class ring That proved you cared
And it still looks the same As when you gave it, dear
The only thing different The only thing new
I've got these little things She's got you.

When I get through with you  (Harlan Hpward)

You think you love Sue But when I get through with you
You won't ever look at Sue again

I'm gonna be so good to you I'm gonna love you my whole life through
Pretty soon you'll feel the same You won't even know her name
I'll give ya kisses that she can't beat I'll treat you so nice and sweet
When I get through with you You'll love me too, not Sue
When I get through with you You'll love me too

I'm gonna treat you so sweet and kind I'll drive her right outta your mind
And you won't know her if you meet Walk right by her on the street
Because I want you and need you so Poor Susie will have to go
When I get through with you You'll love me too, not Sue
When I get through with you You'll love me too

I'm gonna be so good to you I'll love you my whole life through
Pretty soon you'll feel the same You won't even know her name
I'll give you kisses that she can't beat I'll treat you so nice and sweet
When I get through with you You'll love me true, not Sue
When I get through with you You'll love me true, not Sue
When I get through with you You'll love me true, not Sue
When I get through with you

Tennessee Waltz  (Redd Stewart/ Pee Wee King)

I was waltzing with my darlin' to the Tennessee Waltz
When an old friend I happened to see
I introduced her to my loved one and while they were dancin'
My friend stole my sweetheart from me

I remember that night and the Tennessee Waltz
Only you know just how much I have lost
Yes I lost my little darlin' the night they were playin'
That beautiful Tennessee Waltz

I remember that night and the Tennessee Waltz
Only you know just how much I have lost
Yes I lost my little darlin' the night they were playin'
That beautiful Tennessee Waltz.

Just a closer walk with thee  (Trad.)

I am weak but Thou art strong Jesus keep me from all wrong
I'll be satisfied as long As I walk, let me walk close to Thee

Just a closer walk with Thee Grant it, Jesus, is my plea
Daily walking close to Thee Let it be, dear Lord, let it be

When my feeble life is o'er Time for me will be no more
Guide me gently, safely o'er To Thy kingdom's shore, to Thy shore

Just a closer walk with Thee Grant it, Jesus, is my plea.
Daily walking close to Thee Let it be, dear Lord, let it be

INTERVIEW / DOCUMENTARY

SELECTED DISCOGRAPHY

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WILLIE NELSON

WILLIE NELSON
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Willie: An Autobiography, Simon & Schuster, 1988, with Bud Shrake

The Tao of Willie: A Guide to the Happiness in Your Heart, Gotham, 2006, with Turk Pipkin

Willie Hugh Nelson (born April 29, 1933) is an American musician,
actor, and activist. The critical success of the album Shotgun Willie 
(1973), combined with the critical and commercial success of Red
Headed Stranger
 (1975) and Stardust (1978), made Nelson one of the
most recognized artists in country music. He was one of the main
figures of outlaw country, a subgenre of country music that developed
in the late 1960s as a reaction to the conservative restrictions of the 
Nashville sound. Nelson has acted in over 30 films, co-authored
several books, and has been involved in activism for the use of biofuels 
and the legalization of marijuana.

Born during the Great Depression and raised by his grandparents,
Nelson wrote his first song at age seven and joined his first band at ten.
During high school, he toured locally with the Bohemian Polka as their
lead singer and guitar player. After graduating from high school in 1950,
*he joined the U.S. Air Force but was later discharged due to back
problems. After his return, Nelson attended Baylor University for two
years but dropped out because he was succeeding in music.
During this time, he worked as a disc jockey in Texas radio stations
and a singer in honky-tonks. Nelson moved to Vancouver, Washington,
where he wrote "Family Bible" and recorded the song "Lumberjack" in
1956. He also worked as a disc jockey at various radio stations in
Vancouver and nearby Portland, Oregon.

 

In 1958, he moved to Houston, Texas, after signing a contract with D Records.
He sang at the Esquire Ballroom weekly and he worked as a disk jockey.
During that time, he wrote songs that would become country standards,
including "Funny How Time Slips Away", "Hello Walls", "Pretty Paper",
and "Crazy". In 1960 he moved to Nashville, Tennessee, and later signed a
publishing contract with Pamper Music which allowed him to join 
Ray Price's band as a bassist. In 1962, he recorded his first album, 
...And Then I Wrote. Due to this success, Nelson signed in 1964 with 
RCA Victor and joined the Grand Ole Opry the following year.
After mid-chart hits in the late 1960s and the early 1970s, Nelson
retired in 1972 and moved to Austin, Texas. The ongoing music scene of
Austin motivated Nelson to return from retirement, performing frequently
at the Armadillo World Headquarters.

In 1973, after signing with Atlantic Records, Nelson turned to outlaw
country, including albums such as Shotgun Willie and Phases and Stages.
In 1975, he switched to Columbia Records, where he recorded the critically
cclaimed album Red Headed Stranger. The same year, he recorded another
outlaw country album, Wanted! The Outlaws, along with Waylon Jennings
Jessi Colter, and Tompall Glaser.

 

During the mid-1980s, while creating hit albums like Honeysuckle Rose 
and recording hit songs like "On the Road Again",
"To All the Girls I've Loved Before", and "Pancho and Lefty", he joined
he country supergroup The Highwaymen, along with fellow singers 
Johnny Cash, Waylon Jennings, and Kris Kristofferson.

In 1990, Nelson's assets were seized by the Internal Revenue Service,
which claimed that he owed $32 million. The difficulty of paying his o
utstanding debt was aggravated by weak investments he had made during
the 1980s.

 

In 1992, Nelson released The IRS Tapes: Who'll Buy My Memories?;
the profits of the double album—destined to the IRS—and the auction
of Nelson's assets cleared his debt. During the 1990s and 2000s,
Nelson continued touring extensively, and released albums every year.
Reviews ranged from positive to mixed. He explored genres such as
reggae, blues, jazz, and folk.

Nelson made his first movie appearance in the 1979 film 
The Electric Horseman, followed by other appearances in movies and
on television. Nelson is a major liberal activist and the co-chair of
the advisory board of the National Organization for the Reform of
Marijuana Laws
 (NORML), which is in favor of marijuana legalization.
On the environmental front, Nelson owns the bio-diesel brand 
Willie Nelson Biodiesel, which is made from vegetable oil. Nelson i
s also the honorary chairman of the advisory board of the
Texas Music Project, the official music charity of the state of Texas.

Pancho and Lefty  (Townes van Zandt)

Living on the road my friend, Is gonna keep you free and clean
Now you wear your skin like iron, Your breath as hard as kerosene.
You weren't your mama's only boy, But her favorite one it seems
She began to cry when you said goodbye, And sank into your dreams.

Pancho was a bandit boy, His horse was fast as polished steel
He wore his gun outside his pants For all the honest world to feel.
Pancho met his match you know On the deserts down in Mexico
Nobody heard his dying words, Ah but that's the way it goes.

All the Federales say They could have had him any day
They only let him hang around Out of kindness, I suppose

Lefty, he can't sing the blues All night long like he used to.
The dust that Pancho bit down south Ended up in Lefty's mouth
The day they laid poor Pancho low, Lefty split for Ohio
Where he got the bread to go, There ain't nobody knows

All the Federales say They could have had him any day
They only let him slip away Out of kindness, I suppose

The poets tell how Pancho fell, And Lefty's living in cheap hotels
The desert's quiet, Cleveland's cold, And so the story ends we're told
Pancho needs your prayers it's true, But save a few for Lefty too
He only did what he had to do, And now he's growing old

A few gray Federales say They could have had him any day
They only let him go so long Out of kindness, I suppose

A few gray Federales say They could have had him any day
They only let him go so long Out of kindness, I suppose.

SELECTED DISCOGRAPHY

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Always On My Mind (originally by Brenda Lee)
 

Maybe I didn't love you Quite as often as I could have
And maybe I didn't treat you Quite as good as I should have
If I made you feel second best Girl I'm sorry I was blind

You were always on my mind You were always on my mind

And maybe I didn't hold you All those lonely, lonely times
I guess I never told you I'm so happy that you're mine
Little things I should have said and done I just never took the time

But you were always on my mind You were always on my mind

Tell me Tell me that your sweet love hasn't died
And give me Give me one more chance
To keep you satisfied I'll keep you satisfied

[Instrumental Interlude]

Little things I should have said and done I just never took the time

But you were always on my mind You were always on my mind
You were always on my mind You were always on my mind

Funny how time slips away (Willie Nelson)

Well, hello there My, it's been a long, long time
How am I doing? Oh, I guess that I'm doing fine
It's been so long now But it seems now, that it was only yesterday
Gee, ain't it funny, how time slips away

How's your new love? I hope that he's doing fine
I heard you told him That you'd love him till the end of time
Now, that's the same thing that you told me Seems like just the other day
Gee, ain't it funny, how time slips away

I gotta go now I guess I'll see you around
Don't know when though Never know, when I'll be back in town
But remember, what I tell you In time you're gonna pay
And it's surprising, how time slips away...

Blue eyes crying in the rain (Willie Nelson)

In the twilight glow I see her Blue eyes cryin' in the rain
When we kissed goodbye and parted I knew we'd never meet again

Love is like a dyin' ember Only memories remain
Through the ages I'll remember Blue eyes cryin' in the rain

Some day when we meet up yonder We'll stroll hand in hand again
In a land that knows no partin' Blue eyes cryin' in the rain

INTERVIEWS

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