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MUSIC FOR THE GOOD  PEOPLE  
THE GREAT  AMERICAN SONG TRADITION  

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STEPHEN FOSTER

Stephen Collins Foster (July 4, 1826 – January 13, 1864), known as "the father of American music", was an American songwriter known primarily for his parlor and minstrel music. He wrote more than 200 songs. (See below.)

Many of his compositions remain popular today. He has been identified as "the most famous songwriter of the nineteenth century" and may be the most recognizable American composer in other countries. His compositions are sometimes referred to as "childhood songs" because they have been included in the music curriculum of american early education. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections.

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Career

In 1846, Foster moved to Cincinnati, Ohio, and became a bookkeeper with his brother Dunning's steamship company. He wrote his first successful songs in 1848–1849, among them "Oh! Susanna", which became an anthem of the California Gold Rush.

In 1849, he published Foster's Ethiopian Melodies, which included the successful song "
Nelly Was a Lady" as made famous by the Christy Minstrels.
A plaque marks the site of his residence in Cincinnati, where the Guilford School building is now located.

 

House in Hoboken, New Jersey where Foster is believed to have written "Jeanie with the Light Brown Hair" in 1854.

Then he returned to Pennsylvania and signed a contract with the Christy Minstrels. It was during this period that he wrote most of his best-known songs: "Camptown Races" (1850), "Nelly Bly" (1850), "Ring, Ring de Banjo" (1851), "Old Folks at Home" (known also as "Swanee River", 1851), "My Old Kentucky Home" (1853), "Old Dog Tray" (1853), and "Jeanie with the Light Brown Hair" (1854), written for his wife Jane Denny McDowell.

Many of Foster's songs were of the blackface minstrel show tradition popular at the time. He sought to "build up taste...among refined people by making words suitable to their taste, instead of the trashy and really offensive words which belong to some songs of that order". In the 1850s, he associated with a Pittsburgh-area abolitionist leader named Charles Shiras, and wrote an abolitionist play himself. Many of his songs had Southern themes.

Foster never lived in the South and visited it only once, during his 1852 honeymoon. Foster's last four years were spent in New York City. There is little information on this period of his life, although family correspondence has been preserved.

Illness and death

Foster got sick with a fever in January 1864. Weakened, he fell in his hotel in the Bowery, cutting his neck. His writing partner George Cooper found him still alive but lying in a pool of blood. Foster died in Bellevue Hospital three days later at the age of 37. Other biographers describe different accounts of his death.

 

Telegram that communicated Stephen Foster's death addressed to his brother Morrison Foster

When Foster died, his leather wallet contained a scrap of paper that simply said, "Dear friends and gentle hearts", along with 38 cents (one for each year of his life) in Civil War scrip and three pennies. The note is said to have inspired Bob Hilliard's lyric for "Dear Hearts and Gentle People" (1949). Foster was buried in the Allegheny Cemetery in Pittsburgh. After his death, Morrison Foster became his "literary executor". As such, he answered requests for copies of manuscripts, autographs, and biographical information. One of the best-loved of his works was "Beautiful Dreamer", published shortly after his death.
 

Music

Foster grew up in a section of the city where many European immigrants had settled and was accustomed to hearing the music of the Italian, Scots-Irish, and German residents. He composed his first song when he was 14 and entitled it the "Tioga Waltz". The first song that he had published was "Open thy Lattice Love" (1844). He wrote songs in support of drinking, such as "My Wife Is a Most Knowing Woman", "Mr. and Mrs. Brown", and "When the Bowl Goes Round", while also composing temperance songs such as "Comrades Fill No Glass for Me" or "The Wife". Foster also authored many church hymns, although the inclusion of his hymns in hymnals ended by 1910. Some of the hymns are "Seek and ye shall find", "All around is bright and fair, While we work for Jesus", and "Blame not those who weep and sigh". Several rare Civil War-era hymns by Foster were performed by The Old Stoughton Musical Society Chorus, including "The Pure, The Bright, The Beautiful", "Over The River", "Give Us This Day", and "What Shall The Harvest Be?"

Foster usually sent his handwritten scores directly to his publishers. The publishers kept the sheet music manuscripts and did not give them to libraries nor return them to his heirs. Some of his original, hand-written scores were bought and put into private collections and the Library of Congress.
 

Popular songs

Foster's songs lyrics and melodies have often been altered by publishers and performers. Ray Charles released a version of "Old Folks at Home" that was titled "Swanee River Rock (Talkin’ ’Bout That River)," which became his first pop hit in November 1957.

"My Old Kentucky Home" is the official state song of Kentucky, adopted by the General Assembly on March 19, 1928. "Old Folks at Home" became the official state song of Florida, designated in 1935. The lyrics are widely regarded as derogatory today, however, so "Old Folks at Home" was modified with approval from the Stephen Foster Memorial. The modified song was kept as the official state song, while "Florida (Where the Sawgrass Meets the Sky)" was added as the state anthem.

Critics and controversies

Some modern interpretations of Foster's compositions consider them to be disparaging to African Americans. Others, however, have argued that Foster unveiled the realities of slavery in his work while also imparting dignity to African Americans in his compositions, especially as he grew as an artist. Foster composed many songs that were used in minstrel shows. This form of public entertainment lampooned African Americans as buffoonish, superstitious, without a care, musical, lazy, and dim-witted. In the early 1830s, these minstrel shows gained popularity, and blackface minstrel shows were a separate musical art form by 1848, more readily accessible to the general public than opera.

Greenfield Village and the Henry Ford Museum

In 1935Henry Ford ceremonially presented a new addition to his historical collection of early American memorabilia in the "Home of Stephen Foster". The structure was identified by notable historians of the time as being authentic and was then deconstructed and moved "piece by piece" from LawrencevillePennsylvania (now part of Pittsburgh), to Greenfield Village, attached to the Henry Ford Museum, in DearbornMichigan. Foster's niece insisted that it was not his birthplace, and the claim was withdrawn in 1953. Greenfield Village still displays a structure that is identified as the birthplace of Stephen Foster. The Foster family stated that the original Foster birthplace structure was torn down in 1865.
 

Legacy

Musical influence

  • Many early filmmakers selected Foster's songs for their work because his copyrights had expired and cost them nothing.

  • Professor of Folklore and musician John Minton wrote a song titled "Stephen C. Foster's Blues".

  • Erika M. Anderson, of the band EMA, refers to Foster's "Camptown Races" in the song "California", from past Life Martyred Saints (2011): "I bet my money on the bobtail nag/somebody bet on the bay."

  • The Firesign Theatre makes many references to Foster's compositions in their CD, Boom Dot Bust (1999, Rhino Records)

  • Larry Kirwan of Black 47 mixes the music of Foster with his own in the musical Hard Times, which earned a New York Times accolade in its original run: "a knockout entertainment". Kirwan gives a contemporary interpretation of Foster's troubled later years and sets it in the tumultuous time of the New York draft riots and the Irish–Negro relations of the period. A revival ran at the Cell Theater in New York in early 2014, and a revised version of the musical, called Paradise Square opened at Berkeley Repertory Theatre in 2018.

  • Gordon Lightfoot wrote a song in 1970 titled "Your Love's Return (Song for Stephen Foster)"

  • Spike Jones recorded a comedy send-up "I Dream of Brownie in the Light Blue Jeans."

  • The swing revival band Squirrel Nut Zippers released a song entitled "Ghost of Stephen Foster."

  • Humorist Stan Freberg imagined a 1950s style version of Foster's music in "Rock Around Stephen Foster" and, with Harry Shearer, had a sketch about Foster having writer's block in a bit from his "United States of America" project.

  • Songwriter Tom Shaner mentions Stephen Foster meeting up with Eminem's alter ego "Slim Shady" on the Bowery in Shaner's song "Rock & Roll is A Natural Thing."

  • The music of Stephen Foster was an early influence on the Australian composer Percy Grainger, who stated that hearing "Camptown Races" sung by his mother was one of his earliest musical recollections. He went on to write a piece entitled "Tribute to Foster," a composition for mixed choir, orchestra, and pitched wine glasses based on the melody of "Camptown Races."

  • Art Garfunkel was cast as Stephen Foster and sang his songs in an elementary school play in Queens, New York.

  • Neil Sedaka wrote and recorded a song about Foster and released it on his 1975 album, The Hungry Years.

Foster commemorative stamp in the Famous American Composers series, 1940.
 

Television

  • Two television shows about the life of Foster and his childhood friend (and later wife) Jeanie MacDowell were produced in Japan, the first in 1979 with 13 episodes, and the second from 1992 to 1993 with 52 episodes; both were titled Jeanie with the Light Brown Hair after the song of the same name.

  • In the Honeymooners episode, "The $99,000 Answer," Ed Norton warms up on the piano by playing the opening to "Swanee River." Later, when Ralph returns to the game show, the first question asked is "Who is the composer of 'Swanee River'?" Ralph nervously responds, "Ed Norton," and loses the game.

  • In a "Fractured Fairy Tales" segment of The Rocky and Bullwinkle Show, Aladdin finds a lamp with a female genie with light brown hair, who immediately asks, "Are you Stephen Foster?"
     

Film

In the 1949 film Mighty Joe Young the character Jill Young (Terry Moore) is able to calm her pet 12-foot-tall gorilla by whistling or playing "Beautiful Dreamer".

Other events

  • "Stephen Foster! Super Saturday" is a day of thoroughbred racing during the Spring/Summer meet at Churchill Downs in Louisville, Kentucky. During the call to the post, selections of Stephen Foster songs are played by the track bugler, Steve Buttleman. The day is headlined by the Stephen Foster Handicap, a Grade I dirt race for older horses at 9 furlongs.

  • 36 U.S.C. §140 designates January 13 as Stephen Foster Memorial Day, a United States National Observance. In 1936, Congress authorized the minting of a silver half dollar in honor of the Cincinnati Musical Center. Foster was featured on the obverse of the coin.

  • "Stephen Foster Music Camp" is a summer music camp held on EKU's campus of Richmond, Kentucky. The camp offers piano courses, choir, band, and orchestra ensembles.
     

Art

Accolades and honors

Foster is honored on the University of Pittsburgh campus with the Stephen Foster Memorial, a landmark building that houses the Stephen Foster Memorial Museum, the Center for American Music, as well as two theaters: the Charity Randall Theatre and Henry Heymann Theatre, both performance spaces for Pitt's Department of Theater Arts. It is the largest repository for original Stephen Foster compositions, recordings, and other memorabilia his songs have inspired worldwide.

Two state parks are named in Foster's honor: the Stephen Foster Folk Culture Center State Park in White Springs, Florida and Stephen C. Foster State Park in Georgia. Both parks are on the Suwannee River. Stephen Foster Lake at Mount Pisgah State Park in Pennsylvania is also named in his honor.

One state park is named in honor of Foster's songs, My Old Kentucky Home, an historic mansion formerly named Federal Hill, located in Bardstown, Kentucky where Stephen is said to have been an occasional visitor according to his brother, Morrison Foster. The park dedicated a bronze statue in honor of Stephen's work.

The Lawrenceville (Pittsburgh) Historical Society, together with the Allegheny Cemetery Historical Association, hosts the annual Stephen Foster Music and Heritage Festival (Doo Dah Days!). Held the first weekend of July, Doo Dah Days! celebrates the life and music of one of the most influential songwriters in America's history. His home in the Lawrenceville Section of Pittsburgh, Pennsylvania, still remains on Penn Avenue nearby the Stephen Foster Community Center.

A 1900 statue of Foster by Giuseppe Moretti was located in Schenley Plaza, in Pittsburgh, from 1940 until 2018. On the unanimous recommendation of the Pittsburgh Art Commission, the statue was removed on April 26, 2018. Its new home has not yet been determined. It has a long reputation as the most controversial public art in Pittsburgh "for its depiction of an African-American banjo player at the feet of the seated composer. Critics say the statue glorifies white appropriation of black culture, and depicts the vacantly smiling musician in a way that is at best condescending and at worst racist." A city-appointed Task Force on Women in Public Art called for the statue to be replaced with one honoring an African American woman with ties to the Pittsburgh community. The Task Force held a series of community forums in Pittsburgh to collect public feedback on the statue replacement and circulated an online form which allowed the public to vote for one of seven previously selected candidates or write in an alternate suggestion. However, the Task Force on Women in Public Art and the Pittsburgh Art Commission have not reached an agreement as to who will be commemorated or if the statue will stay in the Schenley Plaza location.

LIST OF SONGS WRITTEN BY STEPHEN FOSTER

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References
 

  1.  "Stephen C. Foster As Man and Musician, The Life Story of the Sweet Singer of Pittsburg Told by His Contemporaries and Comrades"The Pittsburg Press. September 12, 1900 – via Newspapers.com. 

  2. Marks, Rusty (April 22, 2001), "On Television: Stephen Foster: Quintessential songwriter lived in music, died in ruin", Sunday Gazette-Mail, Gazette Daily Inc. via HighBeam Research, archived from the original on October 11, 2013, retrieved April 25, 2012, The song, written in 1847, soon spread throughout the country. Foster decided to become a full-time songwriter, a vocation no one had bothered to pursue until then.

  3. Pittsburgh Native Son and Songwriter Stephen Foster to be Inducted into Nashville Songwriters Hall of Fame Oct. 17., US Fed News Service, Including US State News. The Associated Newspapers of Ceylon Ltd. via HighBeam Research, October 16, 2010, archived from the original on October 11, 2013, retrieved April 25, 2012

  4. Howard, John Tasker (March 1944). "The Literature on Stephen Foster". Notes: Quarterly Journal of the Music Library Association. 1 (2): 10–15. doi:10.2307/891301ISSN 0027-4380JSTOR 891301.

  5. Root, Deane L. (March 1990). "The "Mythtory" of Stephen C. Foster or Why His True Story Remains Untold" (PDF). American Music Research Center. U. Colorado, Boulder. Retrieved September 25, 2018.

  6. Jump up to:a b c Sanders, Paul (Fall 2008). "Comrades, Fill No Glass For Me: Stephen Foster's Medlodies As Borrowed by the American Temperance Movement" (PDF). Social History of Alcohol and Drugs. 23 (1): 24–40. doi:10.1086/SHAD23010024S2CID 165454878. Archived from the original (PDF) on November 17, 2015. Retrieved October 13, 2015.

  7. Jump up to:a b "Foster Hall Collection, Collection Number: CAM.FHC.2011.01, Guide to Archives and Manuscript Collections at the University of Pittsburgh Library System". University of Pittsburgh, Center for American Music. Retrieved October 13, 2015. Access provided by the University of Pittsburgh.

  8. Jump up to:a b c Emerson, Ken (1998). Doo-dah! Steven Foster and the Rise of American Popular Culture. Da Capo Press. p. 79. ISBN 978-0-306-80852-4.[permanent dead link]

  9. Vincent Milligan, Harold (1920). Stephen Collins Foster: a biography of America's folk-song composer. G. Schirmer. pp. 3–4.

  10. Sisario, Ben (September 20, 1998). "On the Map; Stephen Foster's Old Hoboken Home"The New York Times. Retrieved July 4, 2016.

  11. "American Experience | Stephen Foster | People & Events". Shoppbs.pbs.org. Archived from the original on April 27, 2022. Retrieved January 8, 2021.

  12. Jump up to:a b Saunders (2012). "The Social Agenda of Stephen Foster's Plantation Melodies". American Music. 30 (3): 275–289. doi:10.5406/americanmusic.30.3.0275JSTOR 10.5406/americanmusic.30.3.0275S2CID 144617319.

  13. Jump up to:a b c Root, Deane L. (March 12, 1990). "The 'Mythtory' of Stephen C. Foster or Why His True Story Remains Untold" (Lecture transcript at the American Music Center Research Conference). American Music Research Center Journal: 20–36. Retrieved October 4, 2015. Access provided by the University of Pittsburgh Library System

  14. Jump up to:a b O'Connell, JoAnne (2016). The Life and Songs of Stephen Foster: a Revealing Portrait of the Forgotten Man Behind Swanee River, Beautiful Dreamer, and My Old Kentucky Home. Lanham, Maryland: Rowman and Littlefield. p. 321. ISBN 9781442253865.

  15. "More about the film Stephen Foster". American Experience. PBS. Retrieved October 2, 2015.

  16. O'Connell, JoAnne H. (2007). Understanding Stephen Collins Foster, His World and Music (PDF) (Thesis). University of Pittsburgh. Retrieved June 25, 2016.

  17. Emerson, Ken (2010). Stephen Foster and Co.: Lyrics of America's First Great Popular Songs. New York: Library of America. p. 10. ISBN 978-1598530704.

  18. W. Tomaschewski. ""The Last Chapter"". Stephen Collins Foster. W. Tomaschewski. Archived from the original on June 18, 2012. Retrieved August 4, 2012.

  19. Barcousky, Len (February 14, 2016). "Eyewitness 1916: Living link to Foster passes on". Pittsburgh Post Gazette. Retrieved April 27, 2016.

  20. ""Waters' Choral Harp: a new and superior collection of choice hymns and tunes, mostly new, written and composed for Sunday schools, missionary, revival, and social meetings, and for church worship 106. Who has our Redeemer heard"". Hymnary.org. Retrieved August 23, 2016.

  21. "All around is bright and fair, While we work for Jesus". Hymnary.org. Retrieved August 23, 2016.

  22. ""Blame, not those who weep and sigh"". Hymnary.org. Retrieved August 23, 2016.

  23. Steel, David Warren (2008). "Foster, Stephen (1826–1864) Composer and Songwriter". The New Encyclopedia of Southern Culture; Volume 12: Music. University of North Carolina Press. pp. 229–230. ISBN 9780807832394JSTOR 10.5149/9781469616667_malone.86. Access provided by the University of Pittsburgh

  24. Whitburn, Joel, Top R&B Singles, 1942–1999, p. 74.

  25. "The State Anthem: "Florida (Where the Sawgrass Meets the Sky)"". State of Florida. Retrieved April 29, 2011.

  26. Paula Morgan (2001). "Jackson, Richard (Hammel)". Grove Music Online. Oxford Music Online. Oxford University Pressdoi:10.1093/gmo/9781561592630.article.47105.

  27. Lerner, Neil (September 2006). "Review: Tunes for 'Toons': Music and the Hollywood Cartoon by Daniel Goldmark". Notes: Quarterly Journal of the Music Library Association. 63 (1): 121–124. JSTOR 4487739.

  28. "Stephen C. Foster's Blues". The Possum Trot Orchestra. Retrieved May 10, 2015.

  29. "E.M.A. – California Lyrics". SongLyrics. Retrieved August 4, 2012.

  30. White, Timothy (December 9, 2000). "Randy Newman's America: A Portrait of the Artist". Billboard. Vol. 112, no. 50. p. 17.

  31. Lewis, Thomas P. (1991). A Source guide to the music of Percy Grainger (1st ed.). White Plains, New York: Pro/Am Music Resources. ISBN 9780912483566OCLC 24019532.

  32. "What Is It All but Luminous by Art Garfunkel | PenguinRandomHouse.com: Books". PenguinRandomhouse.com. Retrieved April 25, 2019.

  33. Monger, James. "Wilderness – The Handsome Family". Allmusic.com. Retrieved July 8, 2013.

  34. "1-cent Foster". Arago: people, postage & the post, Smithsonian National Postal Museum. Retrieved May 10, 2015.

  35. "'Oh! Susanna' songwriter's statue removed from Pittsburgh park after criticism". NBC News. April 26, 2018. Retrieved April 25, 2019.

  36. "'Oh Susanna' songwriter's statue removed amid criticism". Associated Press. April 26, 2018. Archived from the original on April 26, 2018. Retrieved April 26, 2018.

  37. Majors, Dan (October 25, 2017). "City's art commission unanimous: Statue of Stephen Foster needs to go"Pittsburgh Post-Gazette. Retrieved May 5, 2018.

  38. "City wants statue of African-American woman to replace Stephen Foster monument". Pittsburgh Post-Gazette. March 14, 2018. Retrieved September 16, 2018.

  39. O'Driscoll, Bill (July 2, 2018). "Initiative To Honor Women Of Color With Public Art Sparks Debate". WESA. WESA. Retrieved September 16, 2018.

  40. "The Lyrics and Legacy of Stephen Foster". NPR.org.
     

Further reading
 

External links
 

Stephen Fosterat Wikipedia's sister projects


Music scores
 

SELECTED  STEPHEN FOSTER  SONGS

Beautiful dreamer  (Lyrics & music:  Stephen Foster

Beautiful dreamer, wake unto me,
Starlight and dewdrops are waiting for thee;
Sounds of the rude world, heard in the day,
Lull'd by the moonlight have all pass'd away!
Beautiful dreamer, queen of my song,
List while I woo thee with soft melody;
Gone are the cares of life's busy throng,
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!

Beautiful dreamer, out on the sea
Mermaids are chanting the wild lorelie;
Over the streamlet vapors are borne,
Waiting to fade at the bright coming morn.
Beautiful dreamer, beam on my heart,
E'en as the morn on the streamlet and sea;
Then will all clouds of sorrow depart,
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!

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Hard Times   (Lyrics & music:  Stephen Foster)

Let us pause in life's pleasures and count its many tears
While we all sup sorrow with the poor
There's a song that will linger forever in our ears
Oh hard times come again no more

'Tis the song, the sigh of the weary
Hard times, hard times, come again no more
Many days you have lingered around my cabin door
Oh hard times come again no more

While we seek mirth and beauty and music bright and gay
There are frail forms fainting at the door
Though their voices are silent, their pleading looks will say
Oh hard times come again no more

'Tis the song, the sigh of the weary
Hard times, hard times, come again no more
Many days you have lingered around my cabin door
Oh hard times come again no more

'Tis a sigh that is wafted across the troubled wave
'Tis a wail that is heard upon the shore
'Tis a dirge that is murmured around the lowly grave
Oh hard times come again no more

'Tis the song, the sigh of the weary
Hard times, hard times, come again no more
Many days you have lingered around my cabin door
Oh hard times come again no more
Oh hard times come again no more

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